I wrote White Noise either at the end of 1996 or early in 1997. It’s about the ethnic, national, class, sexual and gendered character of ‘Britpop’ and its implications for understanding the politics of Blairism on the eve of its great political triumph.
It was the text for a pamphlet/‘discussion paper’ that was published by the Signs of the Times group under the
It was then included (in a slightly updated and expanded form) as the chapter ‘Pop, Politics and Populism’ in a book called The Moderniser’s Dilemma, edited by Anne Coddington and Mark Perryman, published by Lawrence and Wishart a couple of years late.
I’m posting it today just because the media are suddenly full of incitements to remember the supposed anniversary of Britpop, along with some excellent well-deserved mockery of that hideously embarrassing phenomenon (e.g. http://www.thedailymash.co.uk/news/arts-entertainment/nineties-generation-to-make-formal-apology-for-britpop-2014041085596).
I would still stand by every word of the analysis here,and in particular I think it was pretty prescient about the implications of the Britpop-‘New Lad’ formation for the future of gender politics in the UK.
Here it is anyway